Unsure about how to excel in your essay on "1984"? You're in the right spot! This post will dissect the text to help you succeed in your upcoming essay!
1984 - Textual Analysis - What is the Common Module
Before you analyse the text, you first have to understand the module. Let's look at the key sections of the common module rubric!
1984 - HSC English - Common Module: Texts and Human Experiences:
In this common module students deepen their understanding of how texts represent individual and collective human experiences. They examine how texts represent human qualities and emotions associated with, or arising from, these experiences. Students appreciate, explore, interpret, analyse and evaluate the ways language is used to shape these representations in a range of texts in a variety of forms, modes and media.
Students explore how texts may give insight into the anomalies, paradoxes and inconsistencies in human behaviour and motivations, inviting the responder to see the world differently, to challenge assumptions, ignite new ideas or reflect personally. They may also consider the role of storytelling throughout time to express and reflect particular lives and cultures. By responding to a range of texts they further develop skills and confidence using various literary devices, language concepts, modes and media to formulate a considered response to texts.
Students study one prescribed text and a range of short texts that provide rich opportunities to further explore representations of human experiences illuminated in texts. They make increasingly informed judgements about how aspects of these texts, for example context, purpose, structure, stylistic and grammatical features, and form shape meaning. In addition, students select one related text and draw from personal experience to make connections between themselves, the world of the text and their wider world.
By responding and composing throughout the module students further develop a repertoire of skills in comprehending, interpreting and analysing complex texts. They examine how different modes and media use visual, verbal and/or digital language elements. They communicate ideas using figurative language to express universal themes and evaluative language to make informed judgements about texts. Students further develop skills in using metalanguage, correct grammar and syntax to analyse language and express a personal perspective about a text.
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Plot Overview:
1984 is a dystopian novel written by George Orwell, set in a totalitarian future society ruled by the Party and its omnipresent leader, Big Brother. The story follows Winston Smith, a low-ranking member of the Party who works at the Ministry of Truth, where he alters historical records to align with the Party’s ever-changing narrative. Despite the Party’s strict control over thoughts and behaviour, Winston secretly despises the regime and dreams of rebellion.
Winston begins an illicit love affair with Julia, a fellow Party member who also harbors anti-Party sentiments. Together, they seek freedom from the Party’s oppressive rule, believing that the mysterious figure O’Brien, an Inner Party member, is part of a secret resistance known as the Brotherhood. O’Brien appears to welcome them into the rebellion, providing them with a banned book that reveals the Party’s mechanisms of control. However, their hope is short-lived, as they are soon betrayed—O’Brien was never a rebel but a loyal agent of the Party.
Winston and Julia are arrested by the Thought Police and taken to the dreaded Ministry of Love, where they undergo brutal torture and psychological manipulation. O’Brien personally oversees Winston’s re-education, forcing him to betray Julia and submit fully to the Party’s doctrine. In Room 101, where prisoners face their worst fears, Winston’s final resistance is broken when he begs for Julia to suffer in his place.
By the novel’s end, Winston is released, but he is no longer the same. His rebellious thoughts have been eradicated, his love for Julia replaced with indifference, and his mind fully aligned with Party ideology. The novel closes with Winston’s chilling acceptance of his fate—he no longer resents Big Brother. Instead, he loves him.
Context Overview:
George Orwell wrote 1984 in 1949, in the aftermath of World War II and during the rise of totalitarian regimes across the world. The novel reflects Orwell’s deep concerns about oppressive governments, particularly inspired by the brutal dictatorships of Joseph Stalin in the Soviet Union and Adolf Hitler in Nazi Germany. With the onset of the Cold War, Orwell feared that unchecked political power, mass surveillance, and propaganda could lead to a world where individual freedom was completely eradicated.
The novel highlights the dangers of absolute governmental control, the manipulation of truth, and the erosion of personal autonomy. In 1984, the Party uses constant surveillance, censorship, and psychological control to maintain its authority, mirroring real-world tactics used by totalitarian states. The concept of “doublethink” and the rewriting of history reflect Orwell’s anxieties about political deception and the ability of governments to shape reality.
Additionally, 1984 explores themes of identity, resistance, and the fragility of truth in a society where independent thought is criminalized. By presenting a world where personal freedoms are stripped away in the name of security and stability, Orwell issues a chilling warning about the consequences of unchecked authoritarianism and the importance of safeguarding free thought and expression.
Form Overview:
1984 is a dystopian novel written by George Orwell, blending elements of political fiction, psychological horror, and social commentary. Structured in three parts, the novel follows the protagonist, Winston Smith, as he navigates life under the oppressive rule of the Party. Orwell employs a third-person limited perspective, immersing readers in Winston’s thoughts and experiences while exposing the mechanisms of state control.
The novel’s world-building is central to its impact, with Orwell meticulously crafting the totalitarian state of Oceania, complete with its own political ideology (Ingsoc), language (Newspeak), and omnipresent surveillance (Big Brother). Through extensive use of symbolism, Orwell reinforces key themes—the telescreens represent constant state monitoring, the slogan “War is Peace, Freedom is Slavery, Ignorance is Strength” exemplifies doublethink, and Room 101 embodies the Party’s ability to break the human spirit.
Stylistically, 1984 is direct and unembellished, reflecting the bleakness of its setting. Orwell incorporates passages from The Theory and Practice of Oligarchical Collectivism, a fictional political manifesto, to provide deeper insights into the Party’s manipulation of history and truth. The novel also uses irony and paradox to highlight the contradictions of totalitarian rule.
By combining speculative fiction with political critique, 1984 functions as both a cautionary tale and an enduring analysis of power, control, and resistance.
Character Overview:
Winston Smith – The novel’s protagonist, Winston is a disillusioned member of the Outer Party who secretly despises Big Brother and dreams of rebellion. He works at the Ministry of Truth, where he alters historical records to align with the Party’s ever-changing narrative. Winston’s internal conflict between conformity and resistance drives the story, making him a symbol of individual thought in a society that demands absolute obedience.
Julia – Winston’s lover and fellow rebel, Julia works in the Fiction Department of the Ministry of Truth. Unlike Winston, who is drawn to abstract political rebellion, Julia’s resistance is more personal—she defies the Party through secret acts of pleasure and self-indulgence. She is pragmatic, resourceful, and cynical about large-scale revolution, believing that small acts of defiance are the only possible resistance.
O'Brien – A high-ranking Inner Party member, O’Brien initially appears to be a secret ally of the resistance but is ultimately revealed as a loyal agent of the Party. He orchestrates Winston’s downfall, subjecting him to psychological and physical torture in the Ministry of Love. O’Brien represents the Party’s ability to manipulate and crush any form of dissent, embodying the terrifying power of totalitarian rule.
Big Brother – The figurehead of the Party, Big Brother is a god-like, omnipresent leader whose face appears on posters throughout Oceania. Although it is unclear whether he actually exists, his presence instills fear and loyalty among the citizens. Big Brother symbolises absolute authority and the dangers of a surveillance state.
Emmanuel Goldstein – The supposed leader of the Brotherhood, a secret resistance movement against the Party. Goldstein is portrayed as a traitor and the greatest enemy of the state, with daily propaganda (The Two Minutes Hate) directed against him. Like Big Brother, it is uncertain whether he is real or simply a fabricated tool of control.
Mr Charrington – An antique shop owner who appears to be a sympathetic figure, encouraging Winston’s rebellion by selling him forbidden relics of the past and providing a secret room for him and Julia. However, he is later revealed to be a member of the Thought Police, proving that even acts of kindness in Oceania are often deceptive and dangerous.
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